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Writer's pictureNeil Nagwekar

TINTA Poems #1


1. The Rigged Race


The rest of the world is one person;

It guides the guitar, networks like spiders,

Styles an epic, fights a pandemic

While finding time to stop, sip wine

And prance in merriment. It maroons me—

Strands me ashore—dazed, spitting sand,

Limping to sprint

Like all else, to stay relevant.


Not all thoughts put to paper turn to art.

Most are plainer than a feather, like

Empty vessels that clang and clatter.

Give me ten days in a cabin near a pond

And I’ll produce nothing more

Than socks soaked in semen.


For one to bloom, others must wither.

Some are losers. Losers all.

Longing for the penny to fall,

Rigged for failure for the good of all,

Crossing lips with lies, joints and drinks,

Caring too much what others think,

Hoping indulgent hell sells,

Knowing all will never be well.


2. Much Ado About Nostalgia


Dreaded day; when Macbeths and Caesars

Of our time kiss the feet of

Parasites and stereotypes.


When voters with vain philosophy

Lay claim of control over our polity,

And trolls, fake news and hashtags

Become the order of our hour.


Politics was once a game of predator and prey,

Of soliloquy and mastery, and tales of

Heroes and villains worthy—

Not succumb to sedated show businesses

And schemes a mockery of Machiavelli!


3. Prejudice


We hold these truths to be self-evident,

That all men are like mummies in chains—

Taut binds on blinded eyes, terrified

Tongues sealed tight, and mind fossilized

To fashion truth from ugly stereotypes.


“Woman, like man, is a human being!”

But such an assertion is merely abstract

As long as it remains caged in books,

Keeping the farce of morals intact.

In truth, none care for human parity—

Trampling on the trodden, abusing

Power on Rodneys and Floyds in poverty—

Until equality suits economy.


Wake up and smell the coffee!

Race wars are a thing of eternity

Because we, as a community, have failed

To ever germinate true harmony!

We relapse like addicts, stumbling

Into drunken dungeons of wars, turning

Riots of conversations and blaming

Politicians and parents for the past.

We forsake the art of the second chance,

Not living up to our words of wisdom,

Yet stand abhorred when freedom

Is left to the casual mercy of the sword.


4. Compliments


“Crafted like Sidney!” teeth speak, eyes blind

To monstrosity masquerading

As postmodern poesy. “Similes like Homer!”

To pretence lyrics by carrot-headed cretins—

Words flimsier bound than shoelaces

By rookie millions, minions of halfwittery

Who could never tell Ares from Aphrodite.


Bouquets of excess only find vases

Emptied in trucks by reeking employees.

But flowers of criticism

Are far from flowery.

Menace must never mar, doubt must seem ugly,

Else curly clauses and empty flamboyance

Shall sustain on poorer plaudits

And flattery where fables bury.


5. Education


Bright minds collect to together rot.

Squeeze new truths from old tomes

Like mudwater from wet cloth,

Dote on devils for good grades,

Read ‘Et tu’ before sticking in the blade,

Sip only broths of facts they want,

Then belittle juniors jokingly

Making mining truth an industry—

As if wariness of forgotten facts

Deserves collective ignominy

As atonement for crimes.


Is the point to learn, or to pass time?

 

P.S. I hid behind the moniker of TINTA since the account was opened on Instagram. Truth be told, this has always been my natural impulse. If I had my way, none of my works would be attributed to me. I write a lot of miserable stuff, which I don’t want attributed to my character. I am proud of my writing, but it is also comfortably the worst of me—where my most cynical, nihilist and antisocial tendencies come to fruit.


For a while, I hoped I could hide behind TINTA forever. Perhaps anonymity is cowardice, but it has always been my impulse. But people tell me there’s nothing sustainable about the moniker strategy—that I must put my name, centralize my content, ensure I take credit for everything in a brutal industry, blah blah blah.


So, briefly, let me introduce myself: I am Neil Nagwekar from Mumbai, India.


I don’t plan on abandoning the moniker TINTA though. Because there is a story behind TINTA, and I think it will take quite some time for it to be completed.


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